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The Central Serenade


The Central Serenade
By William He

Moonlight breaks upon the water,
Ripples catching the city's blurred outline,
A distant mirage gathers at the harbour.
Crimson and cobalt bleeding into dusk,
Then a masked figure steps out of the dark,
Immaculate in suit and tie.
Still as a photograph caught in passing light,
Streetlamps burn above the restless crowd,
The pavement looks back in all the wrong colors.
Central's towers thrust into the night,
Steel girders straining against the sky,
Their rigid lines—a city on edge.
From the harbour, the ferries shrink to toys.
The whole skyline trembles in the glass,
Even the seashore seems remote.

The high terrace drifts through time and tide,
Tracking the solitary flare of staged illusion.
I turn a page of Western script,
And the golden idol shatters.
Mid-Levels' racing days are yesterday's ghost,
Yet the brass reed fractures,
And the breath of jazz turns to dust.
I raise a glass of Rémy Martin,
Letting its warmth soften the bitter aftertaste.
Midnight settles into the crooked rim,
A tilted cup, a half-formed sentence,
The masked man loosens his collar.
He bends over the page,
Trying to pin down what the years took.
The saxophone,
Playing phantom frets on a skeleton of air,
Scrapes the catacombs of the soul.

中环月半小夜曲
作者:何威廉

见荆花润月,
乍矗耸、
迷离城郭。
蜃楼半飘,
蓝红浮海角,
战惴心魄。
似魅凭虚立,
西装领带,
正隔空图度。
街灯冷觑游魂各,
影子悠长,
虹环捕捉。
维湾瘦楼如削。
想钢梁束紧,
神智挛索。

高台起落,
算孤光剧幕。
展卷西洋字,
金像落。
半山跑马如昨,
奈铜簧管裂,
爵音声薄。
人头马、
泼愁成乐。
兰桂记、
夜盏微醺语涩,
鬓云姿绰。
潮痕刷、
心脉撕搏。
萨克斯、
暗抚无弦轸,
灵台捶掠。

About this poem

The Central Serenade captures Hong Kong as a city suspended between glamour, memory, and decline. Moonlight, neon, and rain create a cinematic atmosphere, while the masked figure suggests hidden vulnerability beneath outward elegance. The shifting skyline reflects the instability of time, and fading cultural symbols evoke a past that cannot be recovered. Rémy Martin introduces a personal dimension, transforming urban nostalgia into an intimate meditation on loss. Music connects the cityscape with the speaker’s inner world, gradually intensifying the emotional tension.  

TextAA

Written on May 22, 2025

Submitted by WilliamHe on May 22, 2025

Modified by WilliamHe on October 28, 2026

1:25 min read
1,872

Quick analysis

View full analysis »
SchemeXX AXAXXBCXDCBXXXX XEXDXDXEXXXAXXXXX
Closest metreIambic dimeter
Characters1,859
Words283
Stanzas6
Stanza lengths2, 15, 17, 2, 15, 17

William Yu He graduated from two of the most prestigious law schools in China, also studied in Heidelberg, Cambridge and Harvard. He has published dozens of of classical poems and lyrics in Chinese language. As Cover Person, his ten classic-style Chinese poems have been included in a poetry anthology published by a famous publishing house in Hong Kong. Twenty-five of his English poems appeared in the US published anthologies “call my name and I 'll be there", "Dancing on Moonbeams", "Words that Last Forever", "We Thrive & Despair--Poems of Resilience" , "Dust & Bone: Our Poetic Legacy", "Lines that Linger" and "Poems Without Borders". He already published his English poetry anthology "Eyes Wide Open: Poems by William He" in USA. more…

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Share Your Thoughts — Earn Rewards!

7 Comments
  • latika3555819
    Woahhh
    LikeReply15 days ago
  • EJ_Poems_26
    I love this..
    LikeReply15 days ago
  • helenh.14396
    Helen Hebert poems
    LikeReply15 days ago
  • heathert.34240
    Moving lines, like the idea of a short glimpse into the past as a mirage... Another great read, thanks for sharing.
    LikeReply17 days ago
  • karlcfolkes
    Thank you, William, for your in-depth explanation. It is highly informative and greatly appreciated.
    LikeReply1 year ago
  • karlcfolkes
    William, I’m beginning to sense in your collection of poetry repetitive Taoist yin-yang themes relating to the interface of man and nature, of movement and stillness, of change and constancy, of the ‘new’ and the ‘old,’ of permanence and impermanence. 
    LikeReply1 year ago
    • chinamcc8
      Confucianism, with its emphasis on social order, hierarchy, duty, and moral cultivation, has often been perceived in the West as rigid or overly formal, clashing with individualistic values. Confucianism is more frequently debated in political or cultural critiques, sometimes negatively framed as "authoritarian."Taoism, with its focus on naturalness, spontaneity, and harmony with the universe, aligns more easily with certain Western countercultural and spiritual movements. Taoism’s alignment with individualism and mysticism gives it a broader. Thank you! 
      LikeReply1 year ago

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"Poetry.com" Poetry.com. STANDS4 LTD, 2026. Web. 14 Nov. 2026. <https://www.poetry.com/>.

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